Introduction
Instrumental music asks a great deal of its creators: with no vocals or lyrics to carry the narrative, the instruments themselves must communicate emotion, movement and direction. French guitarist, composer and producer Jey Parkiet answers that challenge with “False Gravity,” an instrumental single released on September 18, 2026. Based in Nice, Parkiet brings together progressive metal, fusion, groove and atmospheric elements in a track where technical ability is placed entirely in service of musical expression — and where the guitar becomes the central voice of the composition.
Artist background
Behind “False Gravity” lies a deeply personal chapter. After years of keeping music in the background, Parkiet returned to the guitar following a life-changing bereavement, and writing and producing music became a way to express himself and rebuild. That period led to the formation of Curse of Silence, where Parkiet wrote and produced the album Fragments of Me, helping establish music as a central part of his creative life. His musical world extends further: he also plays lead guitar in the modern black/death metal band DECEATES. Under his own name, he now explores a freer instrumental direction that progressive metal, fusion and atmosphere shape together.
Review of the song
“False Gravity” is built around heavy rhythms, airy textures and melodic guitar lines, and its strength lies in how those elements interact. Rather than relying on vocals to carry the story, Parkiet uses riffs, atmosphere, melody and dynamics to tell it. The track moves between weight and openness — heavy rhythmic passages give way to lighter, more spacious sections, and melodic guitar work binds the contrasts together. Nothing here feels like technique displayed for its own sake; every passage serves the emotional arc of the piece, which is precisely what gives the track its identity.
Musical analysis
The composition reflects an approach where technical playing is not separated from emotion. Parkiet shifts between intensity and atmosphere with purpose, allowing the guitar to function as the voice of the arrangement while the surrounding textures create room for melody, rhythm and space to interact. The fusion connection is audible in the harmonic freedom and groove-oriented phrasing, while the progressive metal foundation supplies weight and drive. The result is expressive rather than athletic: a piece that trusts contrast, dynamics and space to do the storytelling.
Why listeners should pay attention
“False Gravity” is a beginning rather than a conclusion. The next single, “Nonlinear,” will feature Riccardo D’Attis — Parkiet’s guitar teacher — as a guest guitarist, and Parkiet is also producing D’Attis’ upcoming EP. More music is already in development, making “False Gravity” the first step into a wider body of work. For listeners tracking instrumental progressive metal and independent artists, this is a chance to follow a project from its opening statement — one grounded in a personal story of return, loss and rebuilding through music.
Conclusion
With “False Gravity,” Jey Parkiet establishes the direction of his solo project: progressive metal with a strong connection to fusion, groove and atmosphere, always in service of expression rather than display. It is a more personal and open-ended side of a musician who also thrives in DECEATES’ darker extreme metal environment — proof that the same guitarist can inhabit very different worlds without losing his voice. The track stands as an opening statement of a new chapter, and one worth following as it unfolds.
Recommended for fans of
Instrumental progressive metal, fusion-minded guitar work and atmospheric composition — listeners who value melody, dynamics and emotion over pure display.
Follow the artist
Artist: Jey Parkiet. Track: “False Gravity”. Released: September 18, 2026. Format: Instrumental single. Genre: Progressive Metal / Fusion / Instrumental. Country: France (Nice).
Official contact and music: https://beacons.ai/jeyparkiet
Official video: https://youtu.be/5P4BoaEwXv4
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© Tomi Perrakoski / Metal Madness Weekly




